South Los Angeles

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South LA’s film students (Video)

The Urban Oasis Film Academy teaches the art of filmmaking to teens in South Los Angeles, allowing them to make films that have gone on to win awards and landed jobs for some in the film industry. Videographer Katherine Sheehan interviewed several of the students and instructors for KPCC, including a couple of boys who documented their crosstown trip from South L.A. to Santa Monica, contemplating the socioeconomic and culture divide between the two sides of the city. “It’s beautiful out here,” one boy said once at the beach, “but it’s not for us.”

The academy is a partnership between HBO and the Youth Mentoring Connection. A few of the students’ films can be seen here.

American snapshot: South L.A.

Leslie Berestein Rojas?KPCC

One of a few competing pool vendors on Florence Avenue, July 7, 2011

Summers are hot in the dense Florence district of South Los Angeles, where there is very little green space. One solution, as some wise merchants know, is small inflatable wading pools that can fit in a compact backyard or an apartment complex, allowing overheated kids to keep cool.

Three different vendors compete for business along a busy strip of Florence Avenue just west of the 110 Freeway, crowding the sidewalk with their bright inflatable pools.

On Los Angeles as an ‘Arrival City’

The skyline as seen from the east, November 2009. Photo by Keith Skelton/Flickr (Creative Commons)

En route to the National Association of Hispanic Journalists convention from LAX to Orlando yesterday, I had a chance to read part of “Arrival City,” a book by British journalist Doug Saunders that tells the story of worldwide migration through an exploration of the cities that have been transformed by it.

Not surprisingly, Los Angeles plays a prominent role. In one chapter, Saunders chronicles the transformation of a part of the West Adams neighborhood by migrants from Central America, many of them former neighbors from the same rural villages in El Salvador.

He tracks a Salvadoran-born small business owner’s rise from newly-arrived day laborer in the early 1990s to the founding and growth of his successful sign-making shop, while telling the greater story of the demographic and economic shifts in South Los Angeles since the 1992 riots.

I found this passage interesting:

Los Angeles stands out as the premier arrival-city cluster of the United States, with almost half its population born in other countries (and predominantly in rural areas), a position equalled In North America only by Toronto, which plays a similar role in Canada. Los Angeles is described by demographers as a “gateway city,” which is to say that it is a broadly successful arrival city: its poor neighborhoods send out successful middle-class and upper-working-class migrants to wealthier neighborhoods at rates similar to their intake of poor villagers.

People move through its neighborhoods: L.A. flushes out at least a third of its population each decade, becoming an entirely new city in each generation. A major study of the city’s immigrants shows that they arrive very poor, with poverty rates approaching 25 percent, but that these rates fall sharply, especially during the first decade of residence, generally to less than 4 percent.

Nevertheless, the neighborhoods themselves often stay poor or even get poorer. Since about 1990, poverty rates in immigrant-dominated neighborhoods have remained at about 20 percent, despite these gains in the migrant population’s fortunes.

This, as the Los Angeles sociologist Dowell Myers has explained, is actually a result of the American arrival city’s success: Because it is constantly sending its educated second generation into more prosperous neighborhoods and taking in waves of new villagers, in a constantly reiterated cycle of “arrival, upward mobility, and exodus,” the neighborhood itself appears poorer than it really is.

Saunders goes on to write that this paradox leads to “a misunderstanding of the forms of government investment they really need – a serious policy problem in the many migrant-based cities around the world.” He continues:

Rather than getting the tools of ownership, education, security, business creation, and connection to the wider economy, they are too often treated as destitute places that need non-solutions, such as social workers, public-housing blocks, and urban-planned redevelopments.

All of it good food for thought during a six-hour flight across the country.

The worldwide migrant destinations explored in “Arrival City,” which was published last year by Pantheon Books, range from large cities like Los Angeles, London and Shenzhen to smaller and lesser-known destinations. Among the latter are U.S. suburbs like Wheaton, Maryland and Herndon, Virginia, where new arrivals famously met with anti-immigrant backlash in recent years.

20 years after the Rodney King beating: Different takes on what’s changed, what hasn’t

It’s been 20 years today since the beating of Rodney King by Los Angeles police officers, an incident captured on grainy video by George Holliday, a resident of Lake View Terrace who heard the commotion and captured the beating from his balcony.

The videotape, and the riots that followed in late April after four white officers accused in the beating were acquitted, tore the lid off long-simmering racial and socioeconomic tensions in South Los Angeles and other working-class sections of the city. It also created a national conversation about the treatment of minority groups at the hands of authorities.

Just about every news outlet today has a take on the 20th anniversary of the beating, ranging from interviews with King, who suffered serious injuries and later sued, to explorations of how police conduct business in an era where cameras are omnipresent. A sampling:

The Los Angeles Times had piece on how the LAPD is now a “changed operation,” though cameras have so far been installed in only one-fourth of its cars:

The use of cameras by the LAPD has evolved considerably over the years. Putting cameras in patrol cars was a key reform proposed by the Christopher Commission, which studied the LAPD after the King beating. After years of delays, the department recently installed cameras in a quarter of its cars and plans to outfit the rest of its fleet in coming years. In addition to deterring misconduct, police officials believe that cameras can help exonerate officers from false accusations.

A blog post in the San Francisco Chronicle pointed out that 20 years later, even with cameras everywhere, suspect beatings are still common:

Just a search for “police beating” on YouTube shows a large number of disturbing videos and titles. . For example: “Video Allegedly Shows Md. Police Beating Student,” “Philadelphia Police Beating Caught On Tape,” “Police beat down an old man…,” “Minneapolis Police Beat Man,” “Seattle Police Beating.” And the last one, where a Seattle Police officer beat a 16-year-old black girl two years ago, is the most disturbing one I’ve seen to date, and all because she kicked her own shoes off while in jail.

The blog Thy Black Man cited from a Center for Constitutional Rights report on police and minorities in New York City:

Their report — which contains data from 2005 to 2008, supplemented by an update for 2009 and 2010-found that when blacks and Latinos are stopped by the NYPD, 45 percent of them were frisked, as opposed to only 29 percent of whites.

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Thanks for the kites and the love, Banksy

Photo by Leslie Berestein Rojas/KPCC

A memorial where Banksy's parody of the migrant family freeway sign - flying a kite - was cut out of the wall at First and Soto Streets, February 28, 2011

This morning I went in search of what I’d hoped might be a remaining version of British guerilla street artist Banksy’s stencil nicknamed “Caution,” a parody of the famous migrant family freeway sign that for years was a fixture of the drive between Los Angeles and San Diego on Interstate 5. But no luck. Like the better-known stencil at First and Soto streets, the image that was briefly captured on the bridge at Cesar Chavez Boulevard and Pleasant Avenue – and which may or may not have been Banksy’s – is also gone.

Banksy art began popping up throughout L.A. in the days leading up to yesterday’s Academy Awards ceremony as the elusive artist, a best-documentary nominee for his film “Exit Through the Gift Shop,” made the rounds of the town. The “Caution” stencil portrayed the familiar running migrant family, only flying a kite instead of making a harrowing sprint across the freeway.

The street art blog Melrose & Fairfax and several others reported the defacing and subsequent cutting-out-of-the-wall last Friday of the stencil at First and Soto, which Banksy claimed on his website. But there were a couple of unclaimed near-identical stencils of the kite-flying immigrant family spotted around the city, including one in South Los Angeles and the one on the bridge in Boyle Heights, featured in a video on the Eastside culture blog Mis Neighbors, below.

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Featured comment: One reader’s plea for ‘space’ in Compton

NYTimes.com

Screen shot of a race and ethnicity map of the Compton area from the New York Times' "Mapping America: Every City, Every Block" interactive project. Blue dots represent African Americans, yellow dots represent Latinos. Each dot represents 25 people.

A post from last week regarding the political scenario in Compton, where Latino residents are vying with the city’s established but shrinking African American community for political power, drew a series of comments over the weekend. While most of the later comments revolved around illegal immigration (and no, the lawsuit filed by three Latina residents trying to change Compton’s local election process has nothing to do with this) there was an intriguing comment at the beginning that I reread a few times.

From a reader identified as “1tag,” the comment, below, captured something beyond what’s often described in simple terms as racial and ethnic tension in parts of Los Angeles County such as Compton, where a traditionally African American population has given way to a Latino majority.

Here’s part of what “1tag” wrote, unedited:

There is many predominantly Latino communities and very few predominantly Black communities. And the ones we have are so fragile. We need the space tackle the bad and develop the good. Just when that was starting to happen, BAM, we’re hit with the demands with the needs of an outside culture we are not equiped to handle. Give us some space will you?

The message gets at a unique kind of frustration. Both groups share a community in which they face the many of the same problems: poverty (the annual Compton per-capita in 2009 was a little over $13,000), rising unemployment, political disenfranchisement, and gang violence that at times pits brown and black young people against one another. The quarters are close and there is little breathing room.

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Compton: A shifting population, except in City Hall

NYTimes.com

Screen shot of a race and ethnicity map of the Compton area from the New York Times' "Mapping America: Every City, Every Block" interactive project. Blue dots represent African Americans, yellow dots represent Latinos, red dots represent Asians and green dots represent whites. Each dot represents 25 people.

When the initial 2010 census results were released last month, the attention quickly turned to the nation’s growing Latino population and, in turn, how it will shape the political landscape.

While the U.S. Census Bureau has yet to release new data on race and ethnicity, it’s already clear that some of the states with the biggest population growth, and which will gain Congressional seats, also happen to be states where Latinos have come to represent a bigger chunk of the population in recent years. But does this necessarily translate into more political clout for Latinos? And as these population shifts take place, what shape do they take at the neighborhood level, culturally and politically?

An interesting case study is playing out in Compton, a working-class Los Angeles County city that was long predominantly African American (some may remember it as the Compton of N.W.A’s 1988 hip hop classic Straight Outta Compton) but where Latinos now make up two-thirds of the population.

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